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Work/Life & the Country Bunny

4/18/2014

2 Comments

 
I wrote this last year, thinking I'd post it before the birth of my new baby in October. Well, that didn't happen. But since it's kind of an Easter-themed post, I thought I'd put it out there now....

September 2013

Recently I was asked if I'd be part of a panel about "Women in Comics" for the Edmonton Comic & Entertainment Expo. That's just the kind of thing I'd usually love to be part of. But I had to say no, for the same reason I'm missing the whole Expo this year: I'm expecting a baby that's due in just a few more days. What a classic "Women in Comics" situation - or "Women in Anything," really! Babies show up when they want to, throw your career out of whack and teach you how to juggle work and life!

In anticipation of a bit of a hiatus from blogging (and everything else I usually do), there's one thing I've been wanting to write about. Well, actually two things. One is a new book called "Work/Life 3." And the other is an old book called "The Country Bunny and the Little Gold Shoes."
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Work/Life 3 is the third in a series of books created by local publishing house UPPERCASE Press. Here's what UPPERCASE has to say about the series:

"When the first edition of Work/Life was published back in 2008, UPPERCASE was a fledgling publishing house. In 2009, our eponymous quarterly magazine was born, growing into a celebrated publication with readers around the world. In 2011, the second edition of Work/Life was released and featured 100 international illustrators. It was met with much enthusiasm, not only from art and illustration buyers who appreciated the book's quality content and curated talent, but also from other illustrators and aspiring artists who were inspired by the stories shared within. [...] The Work/Life series has developed into something even greater than a promotional publication—these books are educational, inspirational and beautiful; books that have value beyond just a directory of talent."

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This year I've been writing lots of comics and doing lots of graphic recording. I was intrigued by the opportunity to be part of an illustration directory, particularly one that was the product of a Calgary business. I also liked the theme of "Work/Life" - that's been my own theme song for a while now, even before I quit my day job a little under two years ago (best decision ever) to start taking this juggling act seriously!

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So I headed down to Art Central to meet UPPERCASE publisher Janine Vangool and find out a bit more about this little local powerhouse of all of things print. (With the impending demise of Art Central, UPPERCASE has since moved to a new space in the Devenish Building.)

And a few months later, I received Work/Life 3 - a very cool compilation showcasing 100 illustrators from around the world: not just samples of their work, but stories and images from their lives. (Take a look!)

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I have a hard time keeping text out of my pictures... I can't really draw a picture without trying to tell a story at the same time. So here's the piece I drew for Work/Life 3: a comic strip, of course.
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What a cliffhanger ending!! And all true! So much for my plans to launch my brilliant full-time freelance art career. It'll have to remain a juggling act for a while longer. And I wouldn't have it any other way. Which brings us to the Country Bunny!
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But first: a note from April, 2014. (Remember, this whole post was written in Sept. 2013!) That last panel above was the first time new baby Henry made an "appearance" in a comic strip - but it won't be the last! I'll be at the 2014 Calgary Comic & Entertainment Expo next week (April 24-27) with the latest in my "mom comics" series, "Alec's 5th Year Book." Henry steals the show!

But more on that later. For now, back to September 2013 and the aforementioned Country Bunny.


As you may know if you've been reading this blog, I'm a fan of children's literature - mostly Young Adult Fiction. But I do love books for younger children, too, and I've been glad, since having had my son Alec in 2009, to have had occasion to enjoy so many of them again! The Country Bunny and the Little Gold Shoes is one that my grandmother gave me when I was small, and which I remembered vividly... but which I've never seen around since. Indulge me for a sec before I tell you more. The story starts with the mention of a little brown country bunny who, as a girl, dreams one day of being an Easter Bunny...
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Already this reminds me of myself - not that I ever wanted to be an Easter Bunny, but of the way I used to have far-flung aspirations of greatness.

This panel from a comic strip I drew in about 2002 shows me being put in my place, not by a couple of jack rabbits, but by my own older, wiser (?) self.

Wait and see...
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So you'd think that that would be the end of the story right there, wouldn't you? (I love the little wrinkle under her eye that just hints at the exhaustion of early parenthood.) When I rediscovered this book a year or two ago, I didn't have any clue about its context or history. All I knew was what it said in the book: published in 1939. Sounds like a time in which the career goals of a young lady rabbit would be forgotten with the arrival of one, much less twenty-one, children! And indeed, this resilient young mother puts aside her dreams and throws herself wholeheartedly into her new "career" - with great results:
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OK, so if you happen to have a child (or a houseful of children), I know you're already fantasizing about the gloriously well-kept house of the Country Bunny and her brood. (And just where is Mr. Bunny, by the way? More on him later.)

Anyway, it turns out that auditions are being held for the post of Easter Bunny (one of five - apparently there are actually five of them, since it's a pretty big job), and Mrs. Bunny heads out with her children to watch the contest (again - where's Mr. Bunny?!). She ends up impressing the "old, kind, wise, Grandfather Bunny" who is doing the choosing. He wonders if she could possibly be swift enough for the job, but she proves herself by sending her children hopping off in all directions...
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(Everyone knows that nothing moves faster than a parent chasing a child!)
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But no! She explains how she's trained her amazing children to take care of the house even better than she can do herself. And this was in the days in which you could actually just go out and deliver Easter eggs all night, leaving your youngsters at home, without even needing a babysitter, a baby monitor, or a cell phone (Or a husband, apparently, because he still hasn't made an appearance). So technically there is nothing to keep her away. And the old Grandfather Bunny says: "I see that you are wise also..."
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I just loved the above picture (a double spread in the book) that shows all those eggs piled up in the cavernous halls of the palace.
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I won't give away the adventures that befall our valiant Mrs. Bunny on Easter night. Suffice to say, her efforts win her the magical pair of golden shoes. And then she hops home...
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As a child, I only loved the story, but re-reading this as an adult, I saw two other things: one, that I think I want twenty-one well-trained rabbit children to clean my house, and two, that there's more to this story than I'd realized. There's actually a pretty strong message of racial equality in the tale of the "little brown bunny" who rises to the coveted post of Easter Bunny, despite the put-downs of narrow-minded, wealthy, snooty white bunnies (whom I didn't show in this post). Indeed, I discovered that the story has been widely acclaimed for its place in the social justice movement. Years later, it was (almost!) made into a ballet - this would have been incredible - produced by Ismail Merchant of Merchant Ivory fame (take a look here to read an article about that astounding project, which seems to have been truncated upon Merchant's sudden death).

But what really struck me was that it was a story of female empowerment. At a time when many women weren't even allowed to work - at least not in the careers of their choice - the Country Bunny takes her twenty-one children to the job interview and gets the job, without apparently even consulting her spouse, much less receiving his permission!

Yes, the absence of Mr. Bunny really surprises me. Either he's working up in Fort Mac, or he's out of the picture completely. But whatever the case, the Country Bunny doesn't seem to be suffering from it. She's completely independent. And she's complex: realistic, but still harbouring dreams.

You'd think that the story of a lady who puts aside her childhood dreams while raising her family, and then goes on to have a brilliant career after the kids are old enough to look after themselves, sounds like a story that would resonate with readers today. It is amazing this feminist-friendly book was written in 1939, and not only that,  written by a man. DuBose Heyward (pictured here) was the startlingly ahead-of-his-time South Carolina writer who penned this little tale.

I'm tipping my Easter bonnet to the Country Bunny, that heroine of a bygone generation who apparently wrote the book on balancing work and life!

Would I have chosen to start a very fun and exciting new career in the same year I was having a baby, if I'd had a choice? No! But am I still loving every minute of this balancing act? Well, yes, although typing this with my left hand while nursing Henry at 1 AM is not exactly the ideal scenario for work or life. But since it is actually what I'm doing, I'm going to wrap this up and go off in hopes of getting some sleep. Happy Easter!
2 Comments

Dream Comics

1/3/2013

1 Comment

 
I just read this tweet: "do people still make dream comics? can't think of the last time i came across one."

Well, here are some old ones from The Drawing Book's web comics series. That's my ex-boyfriend in the first dream, by the way. Hope you enjoy!
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By the way, that Montreal ghost dream was probably the scariest thing that's ever happened to me before or since. Yikes!
1 Comment
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    sam hester

    I am a graphic recorder based in Calgary. I like local stories. I write comics when I have free time. And I leave eraser shavings everywhere I go.

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    contact me

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    my website

    www.the23rdstory.com started as a blog and now includes some information about my graphic recording practice as well.

    I also have an (old) website which features a lot of my (old) work. Look out, it's a bit clunky and there are a lot of links that don't go anywhere, but there are still a few interesting things there:
    www.thedrawingbook.com


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